Year / Length: | 2022, 80' ca. (World premiere) |
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Dancer: | Rocío Molina |
Singer: | “Niño de Elche” |
Piano/electronic music: | Pepe Benítez |
Violinist: | Maureen Choi |
Soprano: | Olalla Alemán |
Choir: | Cantori Veneziani & proyectoeLe |
Original idea and choreography: | Rocío Molina |
Scenic direction: | Rocío Molina and Juan Kruz Díaz de Garaio Esnaola |
Musical direction: | “Niño de Elche” with the collaboration of Rocío Molina and Juan Kruz Díaz de Garaio Esnaola |
Musical composition: | Pepe Benítez (Cumbia & Exhorcism) |
Costume design: | Leandro Cano |
Stage space design: | Juan Kruz Díaz de Garaio Esnaola |
Collaborator in costume design and space design: | Julia Valencia |
Lighting design: | Carlos Marquerie |
Choir musical director: | Carlos Cansino |
Sound design: | Javier Álvarez |
Text: | Enrique Fuenteblanca |
Photographer: | Simone Fratini |
Technical direction: | Carmen Mori |
Graphic design: | Julia Valencia |
Lighting technician: | David Benito |
Stage management: | María Agar Martínez |
Shibari artists: | Simone Fratini & GlüWür |
Costume making: | Gloria Trenado (Pepe Benítez y Olalla Alemán) |
Wicker handcraft: | José Luis Encijo |
Executive management: | El Mandaito Producciones S.L. |
Production: | Danza Molina |
Coproduction: | La Biennale di Venezia; Bienal de Flamenco de Sevilla; Grec 2023 Festival de Barcelona; Teatro Español |
With the support of: | Instituto Nacional de las Artes Escénicas y de la Música |
Dance