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La Biennale di Venezia

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Lithuania

The Swamp School

Commissioner: Pippo Ciorra

Curators: Nomeda & Gediminas Urbonas

Exhibitors: Sam Auinger, Sigurjôn Baldur Hafsteinsson, Lorena Bello, Nikola Bojić, Kyle Branchesi, Chelsea Bruck, Rasa Chmieliauskaitė, Santiago Cirugeda, Aidas Čergelis, Aušra Černiauskienė, Nico Dockx, Justinas Dūdėnas, Erin Genia, Pascal Gielen, Tinna Grétarsdôttir, Tomas Grunskis, Monica Hutton, Jurga Katakinaitė-Jakubauskienė, Nicolás Kisic Aguirre, Jonas Kubilius, Milda Kulvičiūtė, Lina Lapelytė, Hannes Lárusson, Thuy Le, Nicole L’Huillier, Donatas Linkus, Francisco López, Sara Marini, Antonio Moya-Latorre, Petteri Nisunen & Tommi Grönlund, Paléo-Energétique, John Palmesino and Ann-Sofi Rönnskog, Thomas Pausz, Doina Petrescu and Constantin Petcou, Armina Pilav, Marjetica Potrč, Tobias Putrih, Shane Reiner-Roth, François Roche, Brent Ryan, Indrani Saha, Laura Serejo Genes, Rasa Smite and Raitis Smits, Hildigunnur Sverrisdóttir, Antanas Šarkauskas & Gabrielė Šarkauskienė, Rirkrit Tiravanija, Indrė Umbrasaitė, Kęstas Vaikšnoras, Reda Valentinavičienė, Jana Winderen, Gary Zhexi Zhang

 

Venue: Il Giardino Bianco Art Space, Castello, Viale Giuseppe Garibaldi 1815

description

For its first individual pavilion, Lithuania has produced The Swamp, a pedagogical space and a platform for discussion, temporarily situated at the interstices of the ‘landed nations’. It will provide a (wet) land open for discussion, experimentation, and research on the emergent condition of post-nationalism. Its swampy conditions demonstrate many of the battlefields of postmodernity: conditions of hybridity, the idea of ‘nature,’ questions of human and nonhuman agency, strata of history, and of the possibility of a future. Rather than performing a draining criticality, it is instead collaborative and dangerously additive. The pavilion is the location for a Swamp School where workshops will be held on these and additional topics of immaterial materiality, such as Swamp Radio, new forms of cohabitation, commonism and symbio-poetics. Echoing the spatially dislocated sensations of pirate radio or the international abyss just outside of passport control, the Swamp School will take advantage of participants’ jetlagged sensorium to impress a pedagogical experience of fermentation, deep time, olfaction, fecundity, filtration, and, among other things, the future.

Venezia, Castello 3865
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Biennale Architettura
Biennale Architettura