Mexico

The exhibition explores the ways in which Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez, and Santiago Borja Charles approach forms of knowledge that have not been fully colonised by the modern episteme, existing in resistance, and actualising themselves to affirm opposite and alternate ways of life to an anthropocentric principle of progress. The works explore transactions between cultures and forms of knowledge that disobey the exoticist musealisation of dissident practices. By imagining decolonial futures that may rid us of realities of oppression subduing diverse human, nonhuman, and more-than-human life forms today, Hasta que los cantos broten (Until the Songs Spring) proposes alternative methodologies to unlock new speculative realities.