Year / Length: | 2021, 82' (European premiere) |
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Concept: | Dalisa Pigram and Rachael Swain with Patrick Dodson |
Choreography: | Dalisa Pigram with the performers |
Direction: | Rachael Swain |
Performance dramaturgy: | Hildegard de Vuyst |
Cultural dramaturgy: | Behrouz Boochani, Patrick Dodson, Omid Tofighian |
Music: | Sam Serruys, Paul Charlier, Rhyan Clapham (aka DOBBY) |
Sound design: | Sam Serruys & Paul Charlier |
Set design: | Abdul-Rahman Abdullah |
Costume design: | Andrew Treloar |
Lighting design: | Damien Cooper |
Co-choreography and performance: | Czack (Ses) Bero, Emmanuel James Brown, Chandler Connell, Luke Currie-Richardson, Issa el Assaad, Macon Riley, Bhenji Ra, Feras Shaheen, Miranda Wheen |
Co-choreography and performance (2018 – January 2022): | Zachary Lopez |
Production manager and lighting operator: | Aiden Brennan |
Co-choreography and performance in initial development: | Eric Avery & Yilin Kong |
Audio technician: | Raine Paul |
Company manager: | Denise Wilson |
Producer and tour manager: | Natalie Smith |
Additional music: | Far from Home, composed by : Farhad Bandesh & Anna Liebzeit, recorded vocals sung in Kurdish : Farhad Bandesh, The Ha Dub Rewerk’d, composed and performed by MikeQ, Jalangurru Wiyi, live vocals sung in Bunuba : Emmanuel James Brown |
Additional instrumental recordings: | Natasha Rumiz (viola) |
Additional choreography: | Krump Army: Stacy Peke aka Red Ladybrui5er |
Marrugeku patron: | Senator the Hon Patrick Dodson |
Marrugeku Board: | Debra Pigram (Chair), Matthew Fargher (Secretary), Tegan Gasior (Treasurer), Nancia Guivarra, David Malacari, Ninielia Mills, Dalisa Pigram & Rachael Swain |
Marrugeku Staffartistic co-directors: | Dalisa Pigram & Rachael Swain |
General manager: | Guy Boyce |
Producer and operations manager: | Natalie Smith |
Strategy & sales: | Justin Macdonnell |
Commissioned by: | Carriageworks, International Summer Festival Kampnagel, Hamburg with Körber-Stiftung and the City of Melbourne through Arts House |
Cultural and content warning: | Jurrungu Ngan-ga contains depictions of violence, racial abuse and police/border security brutality as well as references to self-harm. This performance contains the names of people who have passed away. The performance also contains partial nudity and low-level strobe light, and is recommended for ages 15+. |
Note: | The perfomance of the 30.07 will be followed by a conversation with the choreographers |
Dance