| Year / Length: | 2022, 90’, World premiere |
|---|---|
| Text by: | Helena Tulve, after fragments of sacred representation found by Giulio Cattin in Santa Maria della Fava, and the gospel of Mary Magdalene |
| Nyckelharpa: | Marco Ambrosini, Angela Ambrosini |
| Kannel: | Anna-Liisa Eller |
| Tiorba: | Alvise Zanella |
| Dulciana: | Maestro Michele Fattori |
| Vox Clamantis (transetto): | Soprani Anna Mazurtšak (Maria Magdalena), Mari-Liis Urb (Maria), Anete Peäske (solo); altos Susanna Paabumets (Maria Salome), Saale Kreen (angel), Miina Pärn (angel), Kadri Hunt (solo); tenors Sander Pehk (evangelist), Mikk Dede, Sakarias Jaan Leppik, Meelis Kesperi; baritone Taniel Kirikal (Jesus). Lower Aare Külama, Ott Kask (Peter) |
| Conductor: | Jaan-Eik Tulve |
| Coro della Cappella Marciana (cantorie): | Sopranos Maria Chiara Ardolino, Caterina Chiarcos, Maria Clara Maiztegui, Elena Modena, Maria Cristina Rinaldi, Zoya Tukhmanova. Altos Maria Baldo, Lucia Gemmani, Monica Serretti, Annalisa Susanetti; tenors Enrico Imbalzano, Tommaso Maggiolo, Riccardo Martin, Francesco Triccò, Gian Luca Zoccatelli; basses Giovanni Bertoldi, Thomas Mazzucchi, Luca Scapin, Marcin Wyszkowski |
| Organ: | Alvise Mason |
| Conductor: | Marco Gemmani |
| Ensemble barocco del Conservatorio "Benedetto Marcello" di Venezia (navate): | Sopranos Marianna Acito, Martina Candida, Anastasia Fedorenko, Yiru Liu, Yangchun Ou, Caterina Schenal; altos Talita Cotta, Aldar Dashiev, Anna Dobrucka, Costanza Giannino, Liu Rungdong, Shiho Yamaura; baroque violins, Daniel Jankovics and Sebastian Franz; viola da bravo, Elena da Pieve; viole da gamba, Marcello Alemanno, Alberto Casarin, Carlo Santi. Horns, Marco Cucchi, Davide Saturno |
| Conductor: | Francesco Erle |
| Direction: | Marius Peterson |
| Production: | La Biennale di Venezia |
| In collaboration with: | Basilica e Procuratoria di San Marco |
| Commission: | La Biennale di Venezia |
