Year / Length: | 2022, 70’, World premiere |
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Based upon: | Man in the Holocene by Max Frisch adapted by Michel van der Aa |
Narrator/Geiser: | Samuel West (Geiser young) |
Geiser (film): | Timothy West (Geiser elderly) |
Soprano film: | Mary Bevan (Corrine) |
String Quartet: | Ensemble Modern |
Violins: | Jagdish Mistry, Giorgos Panagiotidis |
Viola: | Megumi Kasakawa |
Cello: | Eva Böcker |
Composition, stage director, script: | Michel van der Aa |
Dramaturgy: | Madelon Kooijman |
Scenography advice: | Theun Mosk |
Light design: | Bart van den Heuvel |
Costume Design: | Judith de Zwart |
Technical production: | Siemen van der Werf |
Sound Design : | Paul Jeukendrup |
Stage Manager: | Martijn van Nunen |
Play-out operator: | Fergus McAlpine |
Light operator : | Douwe Bulten |
Sound operator: | Tomas Valečka |
Production Manager: | Djoere de Jong / ProductieCollectief |
Director of photography: | Joost Rietdijk nsc |
Executive producer film: | Arjen Oosterbaan | Eastbound Films |
Commission: | La Biennale di Venezia, Ensemble Modern, Muziekgebouw Amsterdam, Amsterdam Sinfonietta, November Music, Köln Philharmonie, Hong Kong Arts Festival, Tongyeong Festival. |
Production: | La Biennale di Venezia, doubleAFoundation (Foundation doubleA is supported by Performing Arts Fund NL), Performing Arts Fund NL |
With financial support of: | Amsterdams Fonds voor de Kunst, Ammodo, Prins Bernhard Cultuurfonds, Cultuurfonds Bank Nederlandse Gemeenten, Ernst von Siemens Musikstiftung, Stichting Reinbert de Leeuw, Société Gavigniès, Gieskes-Strijbis Fonds |
Music