| Year / Length: | 2022, 80' ca. (World premiere) |
|---|---|
| Dancer: | Rocío Molina |
| Singer: | “Niño de Elche” |
| Piano/electronic music: | Pepe Benítez |
| Violinist: | Maureen Choi |
| Soprano: | Olalla Alemán |
| Choir: | Cantori Veneziani & proyectoeLe |
| Original idea and choreography: | Rocío Molina |
| Scenic direction: | Rocío Molina and Juan Kruz Díaz de Garaio Esnaola |
| Musical direction: | “Niño de Elche” with the collaboration of Rocío Molina and Juan Kruz Díaz de Garaio Esnaola |
| Musical composition: | Pepe Benítez (Cumbia & Exhorcism) |
| Costume design: | Leandro Cano |
| Stage space design: | Juan Kruz Díaz de Garaio Esnaola |
| Collaborator in costume design and space design: | Julia Valencia |
| Lighting design: | Carlos Marquerie |
| Choir musical director: | Carlos Cansino |
| Sound design: | Javier Álvarez |
| Text: | Enrique Fuenteblanca |
| Photographer: | Simone Fratini |
| Technical direction: | Carmen Mori |
| Graphic design: | Julia Valencia |
| Lighting technician: | David Benito |
| Stage management: | María Agar Martínez |
| Shibari artists: | Simone Fratini & GlüWür |
| Costume making: | Gloria Trenado (Pepe Benítez y Olalla Alemán) |
| Wicker handcraft: | José Luis Encijo |
| Executive management: | El Mandaito Producciones S.L. |
| Production: | Danza Molina |
| Coproduction: | La Biennale di Venezia; Bienal de Flamenco de Sevilla; Grec 2023 Festival de Barcelona; Teatro Español |
| With the support of: | Instituto Nacional de las Artes Escénicas y de la Música |
Dance
Rocío Molina - Carnación
