Information

When will the next Venice International Film Festival run?
27 August to 6 September 2025.

Where does the Festival take place, and how can I get there?
The Festival is held every year at the Lido di Venezia, an island easily accessible by both public and private transport.
By train: From Venezia S. Lucia railway station, take a vaporetto boat to Lido (Actv lines; stops: Lido S. Maria Elisabetta or Lido Casinò).
By car: Exit the A4 Motorway at Venice and follow road signs to Venezia Lido. Then, board the Actv ferry boat.
By boat: From Ferrovia, Piazzale Roma, or S. Zaccaria, take Actv lines 1, 6, 4.1, or 5.2 to Lido S. Maria Elisabetta; or Actv lines 20 and MC to Lido Casinò.
By airplane: Arrive at Marco Polo Venice Airport, then take the Alilaguna boat (Red or Blue lines) to Lido S. Maria Elisabetta.

Which films will screen at the next Festival?
The complete line-up will be announced at the end of July 2025 during the official press conference, that will be streamed by La Biennale di Venezia channels.

How many sections are there in the line-up?
The official selection includes: Venezia 82, Out of Competition, Orizzonti, Venice Spotlight, Venice Classics,  and Venice Immersive.
The independent and parallel sections, including the International Critics’ Week (SIC) and the Giornate degli Autori, operate under their own independent regulations.

Which screenings are open to the public?
The public can attend selected screenings with tickets available for purchase online, as indicated in the daily programme. However, some screenings are exclusively reserved for accredited visitors.

Are children admitted to screenings?
Children under the age of 6 are not permitted to attend screenings. Screenings with age restrictions of 14 or 18 years (or 12 or 16 years if accompanied by a parent or legal guardian, both with valid ID) are clearly indicated in the programme for the public.

How do I buy tickets and subscriptions?
Details will be available after the programme is presented in mid-August. Tickets and subscriptions will be available exclusively online. For information on purchasing tickets, please contact biglietteria.cinema@labiennale.org.

Is the Festival competitive?
With the exception of the Out of Competition selection, all sections are competitive. The International Juries for the competitive sections will award the prizes as outlined in the Regulations. The Golden Lion will be awarded to the best film of the Venezia 82 competition.

Will the press view the films?
Around 3,000 journalists, film critics, and radio and television reporters are attending the Festival and have privileged access to screenings.

Does the Festival have a Film Market?
Yes. The Venice Production Bridge takes place alongside the Venice International Film Festival. Its aim is to support the presentation and production of new projects by offering services and dedicated spaces for film industry professionals.  For more information about the VPB, its activities, and accreditation options, please visit their website or contact VPBoffice@labiennale.org.

How do I get accreditation?
Please visit the Accreditation page for details regarding types, conditions and costs of available accreditation.

Will the talents attend the screenings in the Sala Grande?
Yes, directors and actors typically attend the afternoon and evening official screenings in the Sala Grande. All official screenings are clearly indicated in the Festival programme.

What is the dress code to attend the gala screenings in the Sala Grande?
A formal attire is recommended.

Is it possible to watch the talents and delegations walking the red carpet?
Yes, it is possible. The red carpet can be seen from the pedestrian area. Additionally, the red carpet walks will be broadcast on a giant screen and streamed on our channels. No ticket or accreditation is required to watch.

Where can I find the Venice International Film Festival official merchandising?
The catalogue and official gadgets will be available at our gift shops or online.

Any other questions?
Please contact Cinema@labiennale.org or visit the Festival's official website and social channels for the latest updates.

Where can I buy tickets? Are there any reductions? Whom are they granted to?
Tickets can be purchased exclusively online at labiennale.org starting from mid-August 2025. In accordance with current regulations, tickets are non-transferable and personal. Discounts are available for individuals under 26, over 65, as well as for Biennale Card 2025 holders. A valid document supporting the discount must be presented at the entrance along with the ticket.

Are there subscriptions to attend all the screenings in all the venues?
Subscriptions are available for specific screening venues and time slots. Accreditation will grant access to the reserved screenings as indicated in the programme.

When will the daily film programme be available? Can I buy tickets a couple of months in advance?
The daily programme will be available in mid-August. Tickets will go on sale only once it is published.

I want to make a present and buy a subscription to the Venice International Film Festival; who should I contact?
You can send a request to biglietteria.cinema@labiennale.org

I am a minor. Can I be admitted to the screenings?
Children under the age of 6 are not permitted to attend screenings. Screenings with age restrictions of 14 or 18 (or 12 or 16 if accompanied by a parent or legal guardian, both presenting valid ID) are clearly indicated in the programme for the public.

I am late for the screening, can I still be admitted?
Access will be permitted only up to 10 minutes before the scheduled start time, as indicated in the programme. Entry will not be allowed once the screening has begun.

Are there special prices for the young and for university students?
Italian and foreign university students from all faculties may request a Cinema Accreditation for Students.
Moreover, persons over 18 and under 26 can purchase a Promotional Card. Details can be found in the Accreditation page.

HOW TO REGISTER

When will you open the registration?
On 3 February  2025.

Where can I submit my accreditation request?
To submit your accreditation request you need to fill out the online request form related to your professional category (Industry or Cinema) or follow the specific procedures for Press accreditation. Further information available on the Accreditation page of our website.

Until when can I apply for an accreditation?
It is possible to apply for accreditation within the deadlines indicated in the regulations for each typology, according to the availabilities. It is highly recommended to request and pay the accreditation as soon as possible, to benefit of the best rates and of the offered services.

I’m a minor, can I have an accreditation?
No, the accreditation is reserved to people from 18 years old.

I’ll turn 18 just after the Festival, can I have an accreditation?
No, the accreditation is reserved only to those that will already be 18 during the Festival. It is however possible to attend the Festival by buying tickets to single screenings, unless they are marked as R-rated (18+).

ACCREDITATION TYPOLOGIES

What are the accreditation typologies?
There are three main accreditation typologies dedicated to the different professional categories: Press, Industry and Cinema. Additionally, there are Film Delegation accreditations for the delegations of films selected for the Festival, Promotional Under 26/Over 60 Cards for applicants within the specified age groups, and Venice Immersive accreditation, which is available only in digital format, for those interested in the projects and experiences presented in the Venice Immersive section of 82nd Festival.
Each type of accreditation is issued according to its respective guidelines. Terms, conditions, and rates are outlined in the Accreditation section.

I’m a film professional and also a journalist, can I have both types of accreditation?
No, each person can have only one accreditation type.

Can I apply for two different accreditation categories at the same time?
No, requests sent to different offices at the same time to obtain different typologies of accreditation will not be taken into consideration. To verify which kind of accreditation corresponds to your professional profile, please check the  Accreditation page. 

PAYMENT

Can I pay the accreditation in cash?
No, we accept traceable payment systems such as credit and debit card exclusively, or other payment method indicated on the e-commerce page.

Can I pay the accreditation when I collect it?
Yes, it is possible to pay the accreditation with credit or debit cards at the moment of the collection at the Accreditation Desk only in the case of Industry typologies. To benefit of better rates and of all services granted by the accreditation the online pre-payment is highly recommended.

I need to pay more accreditations, can I do a bank transfer?
No, each accreditation has to be paid separately through debit or credit card, or other payment method indicated on the e-commerce page.

I need the invoice, do you send it to me?
The invoice will be automatically sent to the applicants that have requested it before the online payment by ticking the relevant field.  Alternatively, only a receipt of payment may be issued.

Do you do concessions on the accreditation costs?
Industry and Cinema accreditations have reduced fees for those who send their accreditation request by 4 June 2025 and pay the accreditation by 11 June 2025. To check all fees and deadlines, please visit the Accreditation page.

I can’t attend the Festival anymore but I’ve already paid my accreditation, can I have a refund?
It will be possible to receive a 60% refund for the Industy Gold and Trade accreditation requested by 4  June  and paid in advance by 11 June, in case of cancellations communicated to the Registration Office by and no later than 31 July 2025. It’s also possible to receive a full refund for Industry accreditations in case of entry VISA for Italy denied by the competent authorities, upon presentation of all documentation to the Registration Office. In any other case the accreditation cannot be refunded.

I would like to change my accreditation type, can I be reimbursed?
Once payment has been made, the accreditation typology cannot be changed unless a new accreditation request and payment is made. A refund of the previous payment will not be possible.

I can’t attend the Festival anymore but I’ve already paid my accreditation, can you change the heading and give it to my friend?
No, changes of names are not admitted. The accreditation is strictly personal and not transferable.

ACCESS

Which screenings can I attend with my accreditation?
Cinema accreditations allow you to attend all screenings marked as “Tutti gli accrediti” with no priority of access. Industry, Film Delegation and Press accreditations allow you to attend all screenings marked as “Tutti gli accrediti” with no priority of access and all screenings marked as “Press Industry” with priority access.
At the screenings marked as “Pubblico / Tutti gli accrediti” priority is given to the audience and subsequently to all accreditations with no priority. The access to all screenings is subject to availability.
Venice Immersive accreditation grants access exclusively to the projects of the Venice Immersive section that takes place at Isola del Lazzaretto Vecchio (Venice Immersive Island).

How do I access the works of the Festival?
All pass holders will be able to access the screenings of the films of the Festival and the projects of the Venice Immersive section through an online booking system that will be communicated once the official programme will be defined. The booking service will be available exclusively for pass holders who have paid for their accreditation. We also would like to remind you that access to the screening rooms of the Festival and to the viewing of the Venice Immersive projects will only be possible by showing both the accreditation and the reservation.

Which is my accreditation code?
The accreditation code is the 8-digit alpha-numeric code indicated in the registration confirmation email for your accreditation. It’s the same used for the online payment.

Can I attend the Opening and Closing Ceremonies with my accreditation?
No, the Opening and Closing Ceremonies are by invitation only.

With my accreditation, can I access the official screenings?
Yes, by online reservation, except for the 7 pm official screening in Sala Grande which is exclusively for the public.

With my accreditation, can I access the red carpet?
No. Possession of a ticket, subscription or reservation for an official screening in the Sala Grande does not guarantee access to the red carpet.  La Biennale di Venezia, at its full discretion, may grant passage within 45 minutes before the start of the screening or interdict the same on particularly sensitive and crowded evenings.

Which areas can I access with my accreditation?
The accreditation allows access to all Festival areas between Palazzo del Cinema and Palazzo del Casinò, to the Venice Immersive Island (Isola del Lazzaretto Vecchio) and to the Exhibition Areas and the free access conferences organized by the Venice Production Bridge at the Hotel Excelsior.

DURING THE FESTIVAL

When can I collect my accreditation pass?
Press accreditation can be collected from Monday 25 August. All other accreditation typology can be collected from the following day, Tuesday 26 August. In order to collect your accreditation, you need to show the registration confirmation email (also fine in digital format). The opening times of the Accreditation Desk will be published in the Accreditation  section in August.

Can I send somebody else to collect my accreditation?
No, the accreditation is strictly personal and not transferable, therefore it must be collected in person. Proxy is not allowed.

I lost my accreditation pass, what do I do?
Loss or theft of the accreditation badge have to be reported to the local police authority. The Registration Office will duplicate the badge, upon presentation of the police report and a new payment of the original fee you paid, within the times of the issuing office.

When will submissions open?
On February 3, 2025.

Who can submit  a film?
All production and distribution companies, as well as filmmakers, can submit films for selection, provided they hold the necessary rights and adhere to the Festival's Regulations and deadlines.

What are the submission deadlines?
The deadline for registering a full-length film is June 13, 2025 at 23:59 (your time zone). The deadline for a short film is May 31, 2025. The deadline to submit immersive projects is May 8, 2024. Restored film can be proposed by May 5, 2025. The selection screener must also be provided within the respective deadline.

Must films be subtitled or dubbed?
All selected films must be presented exclusively in their original language. The festival will not accept dubbed films. Foreign language films must be subtitled in Italian. Italian language films must be subtitled in English. Immersive projects must be in English or subtitled in English.

How do I submit my work to the Venice International Film Festival?
You have to register your work through the online pre-selection entry form (available from February 3). The form consists of two parts. An automatic e-mail will be sent to you after completing each part (please be sure to always check your spam folder). Afterward, you must pay the submission fee. Only once the payment is processed will you be able to upload your film or immersive work to the relevant VIFF streaming platform.

Is it possible to submit through Withoutabox or Filmfreeway?
No, submissions can only be made by completing the official pre-selection entry form, which can be found in the Regulations (§ 7.6).

May I submit if I do not have a production company?
Yes, of course. Simply fill out the "PRODUCTION" field by writing "independent film" or "self-produced."

 Is it possible to submit more than one work?
Yes, you can submit more than one work. For each title, you will need to complete a separate pre-selection entry form and pay the submission fee.

 May I apply to more than one section or to a specific section?
There is a single general submission form for feature films. If selected, the Festival Direction will determine the section in which your film will be presented. Short films have their own submission form and will be featured in the competitive Orizzonti Corti section. Immersive projects also have a dedicated submission form and will be showcased at Lazzaretto Vecchio Island (Venice Immersive Island) as part of the Venice Immersive programme.

May I submit to selection a restored film?
Yes, it is possible to submit a restored classic film to the Venice Classics section by contacting veniceclassics@labiennale.org to receive the specific entry form, filling it in and uploading the video by   May 5. There is no entry fee for this category. The restored version of the film is to be presented in Venice as a world premiere.

Can I add or correct the information given in my application?
Yes, please send an email with the updated details to selection@labiennale.org (full-length films), to orizzonti@labiennale.org (short films), or to veniceimmersive@labiennale.org  (immersive projects). Be sure to include the title of the work or the registration code in the subject line of your email.

Do you accept works submitted in previous years?
No, the VIFF does not accept works that have already been considered for past editions, even if they had a different title, different duration, or were presented as works in progress.

Do you accept documentaries and animations?
Yes, the VIFF accepts documentaries and animations both as full-length films and as short films.

Is the VIFF in charge of selecting films for Settimana Internazionale della Critica (Critics’ Week) and Giornate degli Autori?
No, the VIFF is not responsible for selecting films for Settimana Internazionale della Critica (Critics' Week) and Giornate degli Autori. These are independent sidebar sections with their own selection committees and regulations. For more information, please visit their websites www.sicvenezia.it and www.giornatedegliautori.com.

ELIGIBILITY CONDITIONS

Which are the main conditions to be eligible for the VIFF?
All films presented at the VIFF must be World Premieres, meaning that a film must never have been shown publicly in any form, anywhere. Short films must be no longer that 20 minutes, while full-length films must not be at least 60 minutes long. Immersive projects can be presented as World or International Premieres. All works submitted must have been produced within the twelve months preceding the VIFF.

Are International Premieres admitted in any section?
Only immersive projects may be presented as International Premieres, even though World Premieres will be preferred.
All the other sections of the VIFF, including non-competitive ones, will only feature World Premieres.

If my film has been presented only in its country of origin, is it eligible?
No, it is not.

Are films presented at national or international film festivals/events eligible?
No, they are not.

If my film has been/will be presented in a film market, is it still eligible?
Yes, but only if it is/will be a private screening with a restricted number of invited attendees and no press. For any doubts in this regard, please contact our Programming Office.

Are films released on the internet, broadcast on television or released on DVD or Blu-ray admitted?
No, they are not.

A trailer of my film is already available on the internet. Is the film still eligible?
Yes, it is. A trailer does not violate any of our regulations.

When must my work be produced to be eligible?
Only works produced within the twelve months preceding the VIFF are eligible. This means that they must have been completed after  September 7, 2024.

What are the admitted film durations?
Full-length films must be at least 60 minutes long (credits included).
Short films must not exceed 20 minutes (including credits).
Films between 21 and 59 minutes are not admitted in any section.
Immersive projects have no duration limits.

Are TV series eligible for the VIFF?
The VIFF may occasionally present a TV series in the non-competitive section  Out of Competition. It must be a world premiere. The VIFF will be able to present two episodes, unless it is a mini-series. So you should submit at least two episodes using a single full-length form.

Do you select commercials or music videos?
No, there are no sections for these categories.

May I submit my work to other festivals during the VIFF submission process?
Yes, you may submit your work to other festivals during the VIFF submission process. However, please inform us if your work is selected elsewhere, so we can try to provide you with an early response.

SUBMISSION FEE

What is the fee for submission?
The fee is € 200 for full-length films, if the submission is completed by May 31, and € 80 for short films if the submission is completed by April 30. The fee for immersive projects is € 200, if the submission is completed by April 30.

Are there any additional late fees?
Yes, there are additional fees for late submissions. For full-length films submitted after May 31, the submission fee is €250. For short films submitted from May 1, the fee is €100. For immersive projects submitted from May 1, the fee is €250.

Will you refund the submission fee if it turns out that my work is not eligible?
No, refunds are not available if your work is deemed ineligible. Please make sure to carefully review the eligibility criteria before submitting your work.

Do you accept PayPal payments?
Yes, in addition to credit card payments, you can also pay the fee via PayPal. However, debit cards are not accepted.

Will I receive an invoice for the submission fee?
Yes, you will be sent an invoice a few days after the payment.

SELECTION SCREENER

Which screening formats are accepted for selection?
The VIFF accepts screeners of full-length films via file upload, or shipment of Blu-ray or DCP (subject to payment of an additional fee). Short films can be submitted only via file upload.
If your film is available only in a different format, please convert it into one of the accepted technical formats before you submit it. HDCAM and QT ProRes files are not accepted. Please check Specifications for selection screener formats.
As for immersive projects, we accept all immersive videos, VR, MR, AR, XR works  of any length, including installations and virtual worlds.
If you have any additional technical questions, please contact:
selection@labiennale.org (full-length films)
orizzonti@labiennale.org (short films)
veniceimmersive@labiennale.org (immersive projects).

Are there additional costs for sending a DCP for selection?
The submission of DCPs (via digital transfer or hard disk shipment) - only possible for full-length films - will entail the payment of an additional fee of €100 to cover the costs of running the screenings organised at the Venice Lido from May 26 onwards. While the cost of screenings organised in other venues will be borne by the presenters.

How can I get instructions to upload my work?
As for films, after paying the submission fee, you will receive an email with an invitation to register on the Mnemonica platform, where you can upload your film file.  For immersive projects, a link to upload your files to the dedicated online repository on Nextcloud will be sent to you.

Which size must the video file have to be uploaded?
There are no limits for the file size, but the format must be MP4/MOV (please check Specifications).
Immersive projects have a maximum of 50 GB available on Nextcloud.

How can I be sure that my file has been uploaded correctly?
In case of films, after uploading, you will get a confirmation e-mail from Mnemonica. As for immersive projects, you will be able to check the actual presence of your files in your Nextcloud account. In case of installations, you are required to upload to Nextcloud also the detailed layout of the project. In case of doubts or technical problems, please contact our Programming Office.

How do I know that the submission process is completed?
The successful upload of your work on the platform indicates that the submission process is completed.

May I send a link to my film (e.g. Vimeo) instead?
No. The VIFF accepts only files uploaded to its own secure streaming platform. But you can take the same data file that is provided on the Vimeo platform and upload it as your selection screener.

My immersive project is an installation or live performance. What should I upload to Nextcloud?
Please upload all information materials that help describe your immersive project in as much detail as possible (e. g.  trailer, photos, presentation pdf, etc.). In case of installations, the detailed layout is also required.

May I send my film in more than one format?
No, please just send your film once in one single format.

Do you view trailers?
No, please do not send trailers. The VIFF only accepts and reviews films in their full version.

Do you accept works in progress for selection?
Yes, of course the work can be viewed also if it has not completed post-production or picture lock. However, please ensure that the work will be finished by the festival’s delivery deadline. If you have any doubts, feel free to contact the festival’s Programming Office.

May I send an updated version of my selection screener at a later date?
An updated version can be submitted only if authorized by the Programming Office, who will reset your film slot on the platform. We do not recommend submitting a first version with the intention of replacing it later, as the selection team will not review the same work twice.

Do you need a subtitled version for the selection screenings?
Yes, the VIFF requires an English-subtitled version for selection screenings of both full-length and short films. Even if the original language is English, it is strongly recommended to subtitle the film in English or Italian, particularly if it features regional accents or slang. Immersive projects must be in English or the original language with English subtitles.

Can I send subtitles as a separate file?
No, they must be included (burned) in the screener. It is not possible to upload the video file and the subtitles separately.

When do I have to send / upload my work?
The selection screener should be received by the festival within the respective deadlines (June 13, 2025 for full-length films – May 31, 2025 for short films - May 8, 2025 for immersive projects – May 5, 2025 for restored films).

Where do I send my film?
Selection screeners that are not submitted online should be sent to the following addresses (except short films that may only be uploaded).
Before sending a DCP it is recommended to get in touch with print.traffic@labiennale.org to check on when and where the next screening session will take place.

La Biennale di Venezia - Settore Cinema
82. MOSTRA INTERNAZIONALE D’ARTE CINEMATOGRAFICA
Ca’ Giustinian - San Marco 1364/A
30124 Venezia
Tel. +39 041 5218878 - Cinema@labiennale.org

From May 25 the address is:
La Biennale di Venezia - Settore Cinema
82. MOSTRA INTERNAZIONALE D’ARTE CINEMATOGRAFICA
Palazzo del Cinema, Lungomare Marconi>
30126 Lido di Venezia
Tel. +39 041 5218878

Is it possible to send DCPs by digital file transfer?
Yes, it is possible to send a DCP by digital transfer or to ship a storage device  (CRU, SSD or USB stick).
Please contact the festival’s Programming Office (print.traffic@labiennale.org) for further instructions.

Does my DCP need to be protected through KDM (encrypted)?
No, it is not mandatory. The VIFF grants the utmost security for your contents, by using its own private screening rooms and by methodically cancelling all viewed DCPs. Anyway, if you want to send encrypted DCPs, please make sure that KDMs reach the VIFF by the date of your DCP delivery.

How can I get server certificates to issue KDMs and to which address must I send them?
You can get server certificates from print.traffic@labiennale.org and you must send KDMs to the same address.

Which time window should the KDM cover?
Please issue KDMs valid for at least 15 days from the date of the DCP delivery to the VIFF.

Do I get a confirmation on the submission and the arrival of my film?
Yes, you will receive a confirmation email after a successful upload or upon delivery of your shipment. If you do not receive a confirmation, please contact the Programming Office to ensure your submission has been received.

Can I have my screener shipped back to me?
The VIFF will not return Blu-Rays and USB sticks. DCPs delivered on CRU and  SSD can be returned if requested by September 30, 2025. The shipping will be at your expenses and must be organized through your courier by contacting print.traffic@labiennale.org

DECISIONS AND NOTIFICATIONS

When will I be notified the selection result regarding my work?
Notifications will typically be sent out starting from the beginning of July.  You will be informed whether the outcome is positive or negative.
In case of urgency – e.g. an invitation to another festival - please get in touch with the Programming Office and they will do their best to provide an earlier decision.

If my work is not selected, may I get a feedback from the selection team?
No, feedback is not provided. Due to the high volume of submissions, the VIFF cannot offer specific explanations for each exclusion, which is the result of a joint decision made by the selection team.

IF MY WORK IS SELECTED

If my work is selected, do I need to sign an agreement?
Yes, you will receive a link to fill out an entry form (different from the submission form), which will include all detailed information regarding your work and must be signed and sent back to the VIFF by July 17, 2025.

Are there any deadlines to meet after a work has been selected?
Yes, the Programming Office will inform you about all the deadlines and the materials required for the participation of your work.

If my film is selected, when do you need the festival version?
The film’s version for presentation at the festival should arrive in Venice no later than August 12, 2025.

If my immersive project is selected, when do I have to submit the final version for the VIFF?
The final version of immersive videos and VR projects must be uploaded to Nextcloud by Aug. 6.
XR and immersive installations must send the installation materials to Venice by August 18 and must set up the installation between August 18 and 25.

Will copyrights for music or footage included in my work be cleared by the VIFF?
No, it is your responsibility to clear all copyright issues related to music or footage before submitting your work to the VIFF.

Which screening formats are requested for festival presentation of films?
The VIFF accepts only DCPs or 35mm prints (the last only if previously agreed upon with the Direction of the festival). You need to send the DCP digitally or ship two physical copies (show copy and backup copy),  which must be identical and in the same format.

What kind of subtitles do you request for the festival version?
For their VIFF presentation foreign language films must be subtitled onscreen in Italian, while Italian language films must be subtitled onscreen in English. The VIFF will also project English offscreen subtitles for all foreign language films (including English spoken films – to the benefit of the non-native English speaking audience).
If your film contains multiple languages, please contact the Programming Office promptly to discuss the most suitable subtitling approach.
Immersive projects must be in English or in original language with English subtitles.

Will the Festival pay for the subtitling costs?
No, the cost of subtitling your work is your responsibility.

Does the Festival cover the shipping costs of the physical copies to/from Venice?
No, all shipping and customs costs to and from Venice are your responsibility.

Will the Festival cover the set-up costs for installations or live performances of Venice Immersive?
No, the set-up, the running and the disassembling of installations or immersive  live performances at the Venice Immersive Island are at your charge. Please check the participation conditions for immersive projects.

What kind of hospitality does the festival offer to invited films?
Generally the Venice International Film Festival offers 9 nights to feature films, 6 nights to Out of Competition documentaries and to immersive projects in competition, 4 nights to Venice Classics documentaries and to Best of Immersive projects, and 3 nights to short films, in a partner hotel in Lido or in Venice. Hospitality is primarily offered to the directors and actors. Classic restored films can be offered a maximum of 6 night hospitality. Any different arrangement must be agreed upon with the Programming Office.

Does the Festival cover travel expenses for the director and/or cast?
No, all travel expenses to and from Venice are your responsibility.

Are there accreditations for the delegation members of an invited work?
Yes, each delegation will receive a specific number of Film Delegation accreditation badges, as determined by La Biennale. Your appointed contact will receive all relevant information starting from the beginning of August.