An organization is a process. Buildings and their environment, contrary to popular perception, are a process, as well.
The Christo and Jeanne-Claude Center is a dream, a 32-year-old dream of a group of people from Gabrovo, where Christo was born on June 13, 1935. A dream that has meandered, accelerated, sunk, and now is taking off (not unlike a Christo and Jeanne-Claude project).
Today this dream has a 12 000-square-meter shell – a former textile school, which in its best years housed more than a thousand students, trained to feed into the main industry of the town, the same industry that brought Christo’s father to Gabrovo and provided material for many of Christo and Jeanne-Claude’s projects.
Today, the Center is the subject of a myriad of conversations attempting to decode Christo and Jeanne-Claude’s practice and his upbringing in Gabrovo, the needs of artists and diverse local communities and groups, and to recode them into disparate functions of an exhibition and production site that would bring together contemporary art, textiles, architecture, design and urbanism, environmental studies, social history, engineering, and entrepreneurship.
Can an architectural competition turn this shell of a building into a home in one bite? What do the present and future of competitions have to offer to this effort? Can one solve problems yet leave behind enough of them to be devoured in a convivial atmosphere of gradual learning and invention — in an experiment that takes competition culture one step further?
This discussion is an attempt to find a middle ground between what experienced architectural studios can do and what architectural schools can offer, providing space and time for informed, expert, and intuitive contributions from a broad community. Architectural competitions can be a process rather than one-off events, and buildings can be repurposed and remodeled in an adaptive and inclusive way.
This approach seems especially adequate in a city, challenged by demography and for a project, whose stakeholders ambitions and resources mismatch. The Center is attempting at organic development and prototyping many of its future functions within the building in its current state, prior to refurbishment. Hence, some of the functions and their spatial requirements will be confirmed before the competition this autumn, while others will remain open-ended and could become school assignments for architecture students in the following years.
At their best, cultural organizations can only hope to stir up and manage energies, while architecture can possibly accommodate and nudge them.
The Christo and Jeanne-Claude Center organizational development and architectural competition planning receives technical support from Ramboll Management Consulting through the “Support to New European Bauhaus Local Initiatives” Programme of the European Commission.
The event is realized with support from America for Bulgaria Foundation.
