Leilah Babirye’s artistic practice spans multiple disciplines, delving into the intricate intersections of identity, sexuality, and human rights. The sculptures Babirye presents in this exhibition highlight a defining aspect of her artistic practice: populating external spaces with sculptural figures that incorporate the visual traits of African masks, merging tradition with contemporaneity. Crafted from metal, ceramics, and hand-carved wood, with the addition of rubber, nails, teapots, and other found objects, the artist establishes a deliberate contrast between textures, lending the pieces an intriguing composition. Namasole Wannyana, Mother of King Kimera from the Kuchu Royal Family of Buganda (2021) draws inspiration from Uganda’s Bantu Kingdom of Buganda, known for its historical significance. While rooted in the traditional ruling kingdoms of present-day Uganda, the artwork goes beyond historical representation. It becomes a manifestation of the artist’s political imagination, weaving personal history and resilience into the concept of a queer lineage among Buganda clanspeople. These collective works envision a utopia where queer Ugandans are liberated from the oppressive homophobia prevalent in the artist’s homeland.
This is the first time the work of Leilah Babirye is presented at Biennale Arte.
—Amanda Carneiro
