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Biennale College Musica 2025

Call for applications

Biennale College Musica 2025

Selection of up to 5 proposals by composers, sound artists and performers for a residency, research and production programme of new projects within LA STELLA DENTRO, the 69th International Festival of Contemporary Music organised by La Biennale di Venezia (11 > 25 October 2025).

In line with the theme of the festival, which explores the idea of music as a form of cosmogony, the young participants in the call are invited to propose a musical project that investigates the generative nature of music and its autopoietic quality of constructing open and complex universes from a closed system of rules and procedures. The young participants are invited to explore music as a living organism in which composition and performance are intimately connected and inseparable parts of the same organic process of creation.

The eligible musical project categories are:
· live performance (with optional audiovisual component)
· acousmatic composition with multi-channel diffusion

The focus of the call is on the possibilities offered by electronic and electroacoustic music to expand the potential of acoustic instrumentation and develop autonomous compositional and performative tools for building complex musical universes.
Figures of excellence from various fields of artistic and theoretical research in contemporary music (ranging from academic research to performance practice, from audiovisual multimedia research to club culture, from electroacoustic music to sound design) will assist young participants in developing their own musical projects through a residency programme held in Venice at the studios of CIMM (Centro di Informatica Musicale e Multimediale della Biennale di Venezia) and other spaces within the Arsenale of Venice.
The selection will be made taking into account the research areas of the different mentors, so that each one can be the direct supervisor of one or two selected projects.
Those selected will attend lectures and conferences held by the mentors and work in residence, creating new projects to be scheduled within LA STELLA DENTRO, the 69th International Festival of Contemporary Music organised by La Biennale di Venezia.

Programme structure

Those selected will participate in a programme of in-depth study, research, creation and production of a new project structured in three residency sessions in Venice. The projects will be defined in all their aspects with the support of the Artistic Direction, mentors and the production team of La Biennale.

 

Residency periods in Venice:
14 - 21 May 2025
23 June - 4 July 2025
29 September - 10 October 2025

The projects will be presented within LA STELLA DENTRO, the 69th International Festival of Contemporary Music (11 - 25 October 2025).

Mentors and areas of interest

Ellen Arkbro
Ellen Arkbro is a composer and musician from Stockholm working with precision-tuned intervallic harmony. Her work includes compositions for acoustic instruments and for synthetic sound, and for combinations of both, as well as installation work. She has studied with La Monte Young and Marian Zazeela in New York, and with Marc Sabat in Berlin. Ellen has worked with Catherine Christer Hennix and is a member of Hennix's Kamigaku ensemble. In all of her work, Arkbro focuses on the qualities of harmonic sound that reveal listening as an active process of creative participation, inviting the listener to gradually transform into the sound itself.

 

DeForrest Brown Jr.
DeForrest Brown, Jr. is an Alabama-raised, Ex-American rhythm analyst, writer, musician, and curator. His work channels the African American modernist tradition of techno-vernacular expression. He has released three albums on Planet Mu. Brown’s debut book ‘Assembling a Black Counter Culture’ was released on Primary Information. In 2023, he co-curated HOPE, an international group exhibition presented by Museion Museum of Modern and Contemporary Art in Bolzano-Bozen as the final installment of the TECHNO HUMANITIES trilogy. He is currently developing Rhythmanalytics, a work-in-progress diagnostic exploration of electronic music at the end of the music industry.

 

Chuquimamani-Condori
Chuquimamani-Condori is a multidisciplinary artist & musician belonging to the Pakajaqi nation of Aymara people. Chuquimamani-Condori blends traditional drum & ceremonial music from their Pakajaqueño family, full of harsh, colorful synths & noise, said to “recreate the cacophony of the first aurora, the call of chuqi chinchay”, described by listeners as “astonishing in its unabashed emotional vulnerability & raw, chaotic, even violent noise overload, like stargazing, making a bonfire, profoundly uplifting and human”, and “spiritual, boundary liquefying” music. The new album DJ E was released in November 2023. Previous recent works include Rayo Mix (2022), Across the Policed World: A Transnocturnal Huayño (2022), and Amaru's Tongue: Daughter (2021), a collaborative work with Joshua Chuquimia Crampton. They also continue to do work with AIM SoCal, the Southern California chapter of the American Indian Movement (founded in 1968).

 

Thierry Coduys
Thierry Coduys is a versatile French artist, musician, sound designer, and new-technology specialist, focusing on bridging interaction and contemporary art. Since 1986, he has collaborated with avant-garde composers, Stockhausen, Reich, developing electroacoustic and software solutions for leading-edge performances. Following his tenure at IRCAM and as Luciano Berio's assistant, he founded La Kitchen in 1999, a tech platform uniting research and creation. Since 2002, he has assisted Pascal Dusapin, collaborated with stage director Jean-François Peyret and worked closely with La Biennale di Venezia, both for Biennale College project and for Biennale Musica. He leads IanniX, an interface inspired by Iannis Xenakis’s UPIC, and works with Holophonix on multi-channel spatialization.

 

Lorenzo Senni
Lorenzo Senni is a Milan-based producer, composer, and multidisciplinary artist renowned for his “Pointillistic Trance.” With roots in Italy’s punk-hardcore scene as a trained percussionist, he merges electronic music with experimental visuals and collaborations, earning recognition at International Music Festivals and Art Institutions. Pitchfork hailed him as “a grandmaster of unsolved tension" while his debut album on Warp Records received the Honorary Mention at Prix Ars Electronica”.
In 2008, he founded the experimental record label Presto!?, championing forward-thinking electronic music.

 

Marcel Weber
mw/mfo narrates spaces, creates installations and pieces, and works in light, video and scenography. As such he is part of Berlin-Atonal as director for light and visuals. Recent projects include work with Caterina Barbieri on her “Spirit Exit” album and ”Light Years” label tours, in music-theatrical collaborations with aya and with Marcus Schmickler, as well as in a series of staged concerts for Arte TV and Tresor Records, or the operatic “Kistvaen” with Roly Porter. Further he designed lights and sfx for theatre pieces like „Life in this house is over“ by Samantha Shay or “Snowcloud” by choreographer Guillaume Marie, and directed the installation-performance “Nervous System 2020” as well as the large-scale installation “This Too Will Pass” with music by Lyra Pramuk. In the past mw/mfo has toured extensively with sound artists such as Aisha Devi, Ben Frost and Tim Hecker. mw/mfo's performances and installations have been commissioned and featured at venues including the Barbican, Centre Pompidou, CERN, Dark Mofo / Mona, Martin Gropius Bau, Kraftwerk Berlin-Mitte, Volksbühne, Muziekgebouw, Palais des Beaux-Arts Brussels and many others.

 

Any other mentors appointed will be announced later on.

Conditions and terms of participation

The selection is open to applicants from all over the world, aged between 18 and 30 (on the call deadline date). Applicants must register by filling in the online form.

The documentation - which must be submitted by 13 March 2025 via the application form - consists of:

Curriculum Vitae (in English. Please specify website, if any)
· Biography (in English)
· Portfolio (in English)
· Title and brief description of the project (in English)
· Motivational letter (in English)
· Links to previous works (3 music pieces)
· Scores (optional)

In the case of application as a duo/collective, each applicant must fill in an application form with their own personal data but submit the same title and brief description of the project.
Incomplete applications will be automatically excluded.
The selection will be made at the sole discretion of Caterina Barbieri, Artistic Director of the Music Department of La Biennale di Venezia.

The outcome of the selections will be communicated by e-mail by the end of March/beginning of April 2025.
Only the selected candidates, following notification of their admission, will be required to pay a registration fee (€ 80.00 including VAT, non-refundable) exclusively via credit card.

Participation in all phases of the programme is mandatory.
La Biennale di Venezia will be responsible for organising and paying for the participants' travel and accommodation.
Each participant will receive a gross payment of EUR 2,000 for the realisation of the project.

Info

college-musica@labiennale.org 

La Biennale di Venezia reserves the right in any case to modify, cancel or interrupt the initiative described above, in that the announcement or the selection do not constitute a binding contract for the same, nor do they entail the right to the reimbursement of any expense other than those specified above.

The integral acceptance of the conditions of the Biennale College Musica call makes the application eligible.

Biennale Musica
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