Paola Vannoni and Roberto Scappin, known as quotidianacom, work on language, making the dialogical mechanism, synthetically indicated as Q/A, a stylistic signature, with dazzling quips and surreal sketches tinged with curare, or incongruous to the limits of the absurd. In Venice, they present segments of their artistic biography with L’anarchico non è fotogenico, Sembra ma non soffro and the new Il racconto delle cose mai accadute.
