Dates: 31 May to 5 June
Language: Italian
Target group: actresses and actors interested in playing female roles (+18 > 30)
Participants: up to a maximum of 8
WORKSHOP
The women of Ronconi
The artistic legacy of Luca Ronconi who, in more than fifty years of creative activity as director and pedagogue has profoundly shaped Italian theatre, is of such breadth and depth that conveying his lesson or codifying an interpretive method is no simple task. Given the need to narrow the focus, these working days will be dedicated to studying some of the great female characters in Ronconi's work: powerful, complex, controversial figures, outside the norms, brought to life, thought, and voice by extraordinary actresses (from Marisa Fabbri to Franca Nuti to Mariangela Melato, to name but a few).
Sandra Toffolatti began her theatrical career precisely with Luca Ronconi, as the nymph Silvia in Tasso's 'Aminta', before returning, after a busy and varied career, to work with the maestro in one of his latest shows: Spregelburd's 'Panic'. After Ronconi's death, she’s in the revival of Massini’s 'Lehman Trilogy' while the unfinished direction of Goldoni's 'Le donne gelose', in which she plays the role of the widow Lugrezia, was entrusted to Giorgio Sangati, Ronconi's assistant director in his last period at Piccolo. It is a significant work for both artists, marking the beginning of a collaboration (in the years to follow they would stage Shakespeare's 'Sogno di una notte di mezz’estate' and Emilio Isgrò's 'Dido Adonàis Dòmine') and leading them to responsibly engage with a precious legacy. It is a process characterised by a constant dialogue between the actress and the director, by an ‘artisan’ approach: starting with a detailed interpretation of the text (which was perhaps the most surprising and exciting moment of Ronconi’s work), its deconstruction in pursuit of all possible nuclei of meaning, and then its verification in the practice of the stage through the voice and body of the performer. Body that, like a prism, is permeated and transformed by meaning and speech and that, in turn, nourishes and recreates the text. For a theatre that does not start from pre-constituted ideas but from practical experimentation and serves as a tool of critical knowledge and engagement with the present time. We will share this experience with 8 young performers who identify as female, working on some dialogues and monologues drawn from the vast and multifaceted gallery of roles tackled by Luca Ronconi in his directing.
SANDRA TOFFOLATTI
She graduated in '92 from the Silvio D'Amico Academy of Dramatic Art with Orazio Costa and in the same year she won the first edition of the Lina Volonghi prize. She has been directed, among others, by Luca Ronconi (Aminta, Il Panico), Elio De Capitani (Tradimenti), Gigi Dall'Aglio (Molto rumore per nulla, La bottega del caffè), Maurizio Scaparro (Cyrano), Rita Maffei (La resurrezione rossa e bianca di Giulietta e Romeo, La cucina), Anatolij Vassil'ev (Il giocatore), Cesare Lievi (Sulla strada maestra, Spettri, La brocca rotta), Marco Bellocchio (Macbeth), Renato Gabrielli (Vendutissimi, Giudici), Marco Tullio Giordana (The coast of utopia), Valter Malosti (Amleto), Giorgio Sangati(Le donne gelose, Sogno di una notte di mezza estate, Didone Adonais Domine), Federico Tiezzi(Questa sera si recita a soggetto, Freud o l'interpretazione dei sogni, Medea), Alessandro Rossetto (Una banca popolare), Andrea De Rosa (Solaris), and Massimo Popolizio (M, L'albergo dei poveri).
In 2007, together with M. Mandracchia, A. Reale and M. Torres, she founded the MITIPRETESE company, directing Elio Petri's Roma ore 11 (winner of the ETI prize for Best Innovation Show), Festa di famiglia, Le troiane, Credoinunsolodio and Sindrome italiana by Lucia Calamaro.
She also works for film and television, having been directed by, among others, Marco Turco, Margarethe von Trotta, Andrè Tèchinè, Marco Tullio Giordana, Andrea Segre, Alessandro Rossetto, Antonio Albanese, and Salvatore Mereu.
GIORGIO SANGATI
Giorgio Sangati graduated from the Scuola del Piccolo di Milano, where he worked for several years as an actor and assistant to Luca Ronconi, whom he also assists at the Centro Teatrale Santa Cristina. He has staged many classical and contemporary texts: among others the original plays "Malabrenta" and " Arbeit" for Teatro Bresci; "Le donne gelose" by Goldoni, "Cuore di Cane" by Bulgakov and "Ladies Football Club" by Stefano Massini for Il Piccolo Teatro; "Lettere a Nour" by Rachide Benzine for ERT; "I due gentiluomini di Verona" by Shakespeare, "Il delirio del particolare" by Vitaliano Trevisan, "Dido Adonàis Dòmine" by Emilio Isgrò and "Boston Marriage" by Mamet for the Centro Teatrale Bresciano; "Arlecchino, il servitore di due padroni" by Goldoni, "Da qui alla luna" by Matteo Righetto; "Sogno di una notte di mezz'estate" by Shakespeare, and "Lisistrata" by Aristophanes for the Teatro Stabile del Veneto; "Odissea cancellata" by Emilio Isgrò for the Teatro Stabile di Napoli. He teaches acting at the Accademia Teatrale Carlo Goldoni of the Teatro Stabile del Veneto, the ADDA of the Istituto del dramma antico in Syracuse and the Acting school of the Teatro Stabile in Naples.
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In addition to the requested personal data, candidates must provide the following:
· CV/résumé (in Italian)
· link to a short video presentation (maximum 2 minutes, in Italian) in which they answer one or more of the following questions:
What made you approach theatre?
What have been your most significant encounters?
Among the shows you have seen, is there one that has profoundly changed you?